Programming a production

For which audiences and spaces?

There are productions for family audiences aged 6 and over (Cubus), for young and adult audiences (2062 and Inteligencia artificial) and for adult audiences (Retazos, Universos complejos and Lover). They work both in theatres and in open, non-conventional rooms, and Lover is a small-format piece, adaptable to many spaces.

Retazos tours with three possible configurations: non-conventional venues from 4 × 4 m, theatres from 5 × 5 m and full stage houses of 8 × 8 m with a seating bank. Inteligencia artificial has one version for end-on theatres and another for large, open rooms. Universos complejos is a video installation on a 15-minute loop: the audience comes and goes freely.

In which languages?

2062 and Lover are wordless productions: they tour any country without adaptation. Cubus carries only a short introduction, in Spanish or English. Universos complejos runs with its text in Spanish or in English. Inteligencia artificial is performed in Spanish, with subtitles possible; Retazos, in Spanish, with surtitles possible.

Do they tour internationally?

Yes. His productions have toured twenty-three countries across Europe, Asia and the Americas: Spain, Portugal, France, the United Kingdom, Germany, Italy, Poland, Romania, Croatia, Serbia, Slovenia, Slovakia, Montenegro, Cyprus, Finland, South Korea, Japan, Taiwan, Singapore, Canada, Colombia, Brazil and Trinidad and Tobago.

International touring is managed jointly by Andrés and the distributor; each production's full performance history is on its page.

What do they need technically?

These are productions that travel light: touring teams of two or three people and setups of 4 to 10 hours, with teardowns of around 2. Each production's technical summary is on its card — space, projection, sound, conditions — and the full detail is in its dossier and its booking sheet.